Being a composer can be rather challenging, as you already might find out reading Berlioz ”Memoirs”. Many of the skills of the nowadays composer have often very little to do with the musical field. I intend not to speak about these difficulties, but of the energy that keeps the composer
This article approaches aspects of one of the greatest fears of the human mind, the fear of the unknown, and the way it reflects in the musical field.
Could it be that this same fear is responsible for undermining a composers attempt to give birth to his innermost feelings, for compromising